The exhibition opens with the vividly colored quilts that first drew the collectors’ attention and began their life-long passion. Exploring sophisticated principles of color theory, the exhibition’s opening sections display color vibrations, mixtures, gradations, and harmonies in the design of the quilts ranging from the 19th to early 20th century. As their collection grew, Pilgrim and Roy turned their interest to the history of quilting and added more traditional designs. Many of these incorporated the color white to create high contrast. The exhibition’s sections—“Variations” and “Optical Illusions”—examine the effect of color and pattern, highlighting dramatic color choices and innovative effects created within established quilt patterns. The exhibition concludes with a final nod to the artistic vision of quilt makers and highlights artists who worked outside of standard patterns and design.